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Home » Art » Making and Breaking the Grid: A Graphic Design Layout Workshop Epub Download

Making and Breaking the Grid: A Graphic Design Layout Workshop Epub Download

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Art
Wednesday, August 1, 2012

Making and Breaking the Grid: A Graphic Design Layout Workshop [Kindle Edition]

Author: Timothy Samara | Language: English | ISBN: B00CEWBU88 | Format: PDF, EPUB

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Making and Breaking the Grid: A Graphic Design Layout Workshop Epub Download
Direct download links available Making and Breaking the Grid: A Graphic Design Layout Workshop [Kindle Edition] Epub Download from 4shared, mediafire, hotfile, and mirror link
For designers working in every medium, layout is arguable the most basic, and most important, element. Effective layout is essential to communication and enables the end user to not only be drawn in with an innovative design but to digest information easily.

Making and Breaking the Grid is a comprehensive layout design workshop that assumes that in order to effectively break the rules of grid-based design, one must first understand those rules and see them applies to real-world projects.

Text reveals top designers' work in process and rationale. Projects with similar characteristics are linked through a simple notational system that encourages exploration and comparison of structure ideas. Also included are historical overviews that summarize the development of layout concepts, both grid-based and non-grid based, in modern design practice.

Download latest books on mediafire and other links compilation Making and Breaking the Grid: A Graphic Design Layout Workshop Epub Download
  • File Size: 26722 KB
  • Print Length: 208 pages
  • Publisher: Rockport Publishers (May 1, 2005)
  • Sold by: Amazon Digital Services, Inc.
  • Language: English
  • ASIN: B00CEWBU88
  • Text-to-Speech: Enabled
  • X-Ray:
    Not Enabled
  • Lending: Not Enabled
  • Amazon Best Sellers Rank: #103,964 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
    • #12
      in Kindle Store > Kindle eBooks > Arts & Photography > Graphic Design > Graphic Arts
    • #29
      in Kindle Store > Kindle eBooks > Arts & Photography > Graphic Design > Design
    • #50
      in Kindle Store > Kindle eBooks > Arts & Photography > Graphic Design > Commercial
  • #12
    in Kindle Store > Kindle eBooks > Arts & Photography > Graphic Design > Graphic Arts
  • #29
    in Kindle Store > Kindle eBooks > Arts & Photography > Graphic Design > Design
  • #50
    in Kindle Store > Kindle eBooks > Arts & Photography > Graphic Design > Commercial
What a strange publication. Divided into two sections the first explaining grid formatting with actual printed material and the second revealing how to design print without a grid.

There seems a contradiction here because the grid, used intelligently, will allow a whole range of graphic options to be presented with clarity. Some of the print examples reproduced in the first section do show this with perhaps the most useful item a grid thumbnail for each piece, unfortunately I thought it was rather too small on each spread despite being the key to explaining each format. From past experience, designing magazines, I would start work on a grid by concentrating on the text type size because it is the least flexible of all the elements on the page. This point really wasn't made enough of in the book's chapter: Grid Basics.

The reproductions show a reasonable range of design solutions, essentially print though there is an example of corporate signage. Missing are magazines (consumer or trade) timetables and the like. Without a grid this type of printed matter really wouldn't exist.

The book's contradiction, to my mind, start with the second section: 'Grid Deconstructions and Non-Grid-Based Design Projects'. The forty items shown seem to have a couple of common threads: their design is essentially arbitrary which makes them look very messy and frequently their typography (display and text) is used as a design element which makes the words unreadable. Their design is the opposite of grid stimulated creativity, in other words visual chaos.

Some of the examples are quite amazing. On page 180-181 twelve pages of a calendar are shown, totally useless as its impossible to see the days and dates.

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